NEWS
Many parents worry for their children. They fear for their future carrier, they wish to keep them clear of drugs and they want them to have a good life.

 

 

 
 
lifelike - 6 - results.



NEWS:

The Best of Drugs
1. TreasureFingers - Shiny Toy Guns Fading Listening (Treasure Fingers Epicwave Mix) 2. Chrizz0r - Blissful Happiness (Instrumental) 3. Andy Voight - Lightning Storms 4. Happy Mondays - Hallelujah (LIFELIKE Club Remix) 5. HomeSick - 2weeks 6. Shotrcircles - Fallin' 7. kynes - automatic empathy 4 8. Highroller - Music Sounds Better With You (Reworked) 9. Moloko - The Time Is Now (Blanilla Remix) 10. Takser - Captain Murphy's Journey To Find The Magic Mighty Morphin Dolphin May the good vibes spread around the world. Also, don't forget to chech out my previous drug compilations! part 1 / part 2 / part 3 / part 4 / part 5 / part 6 Image credits: Lipatov Selection by Kado

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Art or Money 3 / Demand and Supply
As electronic music grew from a basement in the suburbs of Chicago to a worldwide phenomenon, reshaping the dance culture and industry, it became the breeding ground of many controversies and debates. If you're reading this article you probably know a lot about it, even if you were living under a rock on Mars in the last 30 years. The screams of fanboys and the angry mumbling of deep-heads can be heard from other galaxies as well, I suppose. listening to the repetitive sound of Satan There's a lot of talk on the commercial vs. underground topic. Non-music people or if you will it put that way, common people refer to the underground as a dangerous place where the kids your parents warned you about meet to do drugs and other socially "unacceptable" and "dangerous" things while *listening to the repetitive sound of Satan*. On the other hand there is the commercial bunch, who in the eyes of the "underground" are some Regular John's and Janes listening to something that is barely music...

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French Electro is Evergreen:
If it comes to cars then it's mostly related to the cursing of the mechanic while trying to reach bolts in the stupidest places while replacing a light bulb. But you've bought that car for a reason, isn't it? It is very likely that the reason for buying a French car can be traced back to things like character and design. So let's talk sound design. Regardless of what kind of party it is, everybody loses their minds when it comes to "Technologic" or "We Are Your Friends". As we commonly like to refer to it, "French Electro" is always king. We all tend to know what it is, how it sounds, and how much energy we get while listening to it. Of course, to be technically correct what we refer to as French Electro is a large scale ranging from French Touch House to Justice-like Electro-Trash madness. If you look a bit further there is Etienne de Crecy making something that no one understands, or Lifelike who is making top-notch electro-synth.   If it comes to cars then it's mostly related to...

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Art or Money 2 / The Fear of the Unknown:
There's a never ending debate about what should be in focus for the music biz. Art or Money? Some are surfing on waves of money while some need a daytime job to make a living. There is a gap of creativity between these groups regardless of the fact that not all super rich DJ/producers are sellouts and not all bedroom producers are making gold. In the previous article lines were clearly drawn between art driven and "McDonald's" music with the help of Lifelike. Now that we see the tip of the iceberg it is time to stick our heads in the shallow water in order to capture fragments of something that might be really big. We could only guess the size underneath the surface. The first article ended with questions about what should be the correct path for a DJ or a producer to balance his craft to earn some money and to express musical visions at the same time. I realized that the best way to map this uncharted topic is to talk to producers and DJs from each side. So I found a couple where...

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Art or Money? Artist or sellout?
These days it's about the money, according to some. These people also like to over-emphasize the fact that all is worse than ever. It's not. By looking at the history of music there was no era when there weren't any interests crossing the path of musicians. In the Middle Ages music had to serve the Church, later on it was serving / obeying the system, or it just simply had to meet the expectations of a given era. Today's western musicians are free of the grasp of these forces, but they have a new element to deal with. By the 21st century money became the most powerful unifying force for mankind and music alike. Money gives one the tools to make a living and the amount of income is a very powerful feedback. Yet money is only a mere tool which aids an artistic industry that experiences freedom like never before. Some of this artistic freedom comes from scientific discoveries and advancements that are constantly demolishing outadted governing principles. Money buys software, hardware...

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Lifelike - Overdrive

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